
The locality is the subject of Lordship Lane Station, Dulwich, an 1871 painting by Camille Pissarro, which now hangs at the Courtauld Institute of Art in London. The site is now occupied by a residential estate. The station was demolished shortly after closure.

Frith’s original work is now in the collection of Royal Holloway College, part of the University of London. The railway crossed London Road (just beyond the southern end of Lordship Lane itself) on a bridge and the station was just to the southwest of the road. This engraving was made after William Powell Frith’s painting ‘The Railway Station’, one of the best-known images of 19th-century Britain. Lordship Lane was permanently closed, along with the rest of the line, in September 1954. The station was repaired and temporarily reopened in March 1946. It was closed during the First World War between January 1917 and March 1919 and again during the Second World War in May 1944 after it suffered heavy bomb damage during the Blitz.

It was situated a short distance from a rival London, Brighton and South Coast Railway (LBSCR) station named Forest Hill, which survives. The Railway Station - Acrylic Painting Green White Blue Brown Black. It was opened by the London, Chatham and Dover Railway (LCDR) in September 1865 and took its name from Lordship Lane, the thoroughfare on which it stood. Shop our railway painting selection from top sellers and makers around the world. Lordship Lane was a railway station in East Dulwich, in what was the Metropolitan Borough of Camberwell in south London, on the Crystal Palace and South London Junction Railway. Painting: Peter Annable (MGRA) Mike Musson Collection. Although Manet never chose to associate himself officially with the impressionist group, this painting’s scene of modern life, as well as its loose, abstract effects, show the influence of the younger artists on his work.A 1908 Railway Clearing House map of lines around the Brighton Main Line in south London, showing surrounding lines, including the Crystal Palace and South London Junction Railway. Reviewers were critical of the unfinished appearance of The Railway and that the rail station itself was not well–defined in the picture. Of the four, only two were accepted, The Railway and a watercolor. Manet submitted four works to the Paris Salon of 1874. The composition is a complex contrapuntal apposition of the two figures: one clad in a white dress trimmed with a blue bow and the other dressed in dark blue trimmed with white one with hair bound by a narrow black ribbon and the other with flowing tresses under a black hat and one a child standing and looking at anonymous trains and buildings in the background and the other a seated adult staring forward to confront viewers directly.

The woman is Victorine Meurent, Manet's favorite model in the 1860s, and the child was the daughter of a fellow painter who allowed Manet to use his garden to create The Railway.
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It falls within the tradition of tonal paintings of wet. Download 190 Painting Railway Station Stock Illustrations, Vectors & Clipart for FREE or amazingly low rates New users enjoy 60 OFF. Confined to a narrow space backed by the black bars of an iron fence and isolated by clouds of steam sent up from a train passing below, Manet's two models are enigmatic presences. Painted three years after Arthur Streeton first visited Sydney, 'The railway station, Redfern' is an atmospheric study of rain and light.

Advances in industrial technology and train travel, intrinsic to most contemporary depictions of the site, remain in Manet's painting the almost invisible background for a genre depiction of a woman and child. The Gare Saint–Lazare, in 1873 the largest and busiest train station in Paris, is unseen in this painting.
